Birmingham - Powerhouse of the Industrial Revolution

 

15th October 2013

 
On a pleasant autumn morning, the recent rains having finally stopped, Probus members and guests boarded a coach outside the Dolphin Hotel in St Ives and headed west – a different direction from outings in recent years – for a rendezvous with our Guide from City & Village Tours in the centre of Birmingham.  Far from being a grim and industrial concrete jungle, the new Birmingham is a much improved city of beautiful squares, greenery and public art.  We began with a short visit to the magnificent, newly opened City Library, followed by morning refreshments in the Malthouse pub on the contrasting old canal quayside and a coach tour of the city centre and renowned jewellery quarter.  After a fish & chip lunch in the Malthouse, we spent the afternoon in the Birmingham Museum & Art Gallery, world famous for its collection of pre-Raphaelite paintings, finally ending the day with refreshments in the Gallery's Edwardian Tearooms before heading for home.
 
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First stop was the new City Library in Centenary Square, designed by architect Francine Houben and opened on 3rd September 2013,
where our party discussed the unusual exterior before viewing the even more remarkable interior design. 
 
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This impressive escalator is the main access from the entrance hall to the first floor gallery.
 
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The first floor gallery.  The £189m library houses a collection of one million books 
and has more than 200 public access computers, theatres, an exhibition gallery and music rooms.
 
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Higher galleries illuminated by a mixture of daylight and artificial light. 
The library's most valuable books are copies of Shakespeare's First Folio and John James Audubon's 'Birds of America'
worth between £6m and £7m each.
 
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The first floor roof terrace.  The library's futuristic exterior of interlacing rings aims to reflect the city's canals and tunnels.
 
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View of Birmingham Centenary Square from the first floor roof terrace.
 
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View towards the circular Hall of Memory First World War memorial, built in 1925 and the old Central Library (far left) built in the 1970s
and once described by Prince Charles as looking like a place where books would be incinerated rather than read.
 
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Contrasting old and new in this canal backwater.
 
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New buildings along the old canal.
 
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The canal quayside outside the Malthouse pub.
 
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The Malthouse Pub where morning refreshments and lunch were served.
 
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Serving God in the Jewellery Quarter.
St Pauls Church set in a timeless Georgian square, with rolling lawns and tree-lined walks, was built under an Act of Parliament of 1772. 
It was designed by Roger Eykyn, a surveyor from Wolverhampton, with Samuel Wyatt, a distinguished local architect, acting as an advisor.
The land was donated by Charles Colmore, a well known local landowner at the time.
 
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Our Probus group inside St Paul's Church.
The large East Window is most unusual, and is Francis Eginton's best and most renowned work. 
It is a copy of Benjamin West’s picture of The Conversion of St Paul, painted on glass.
The original panting is hung in the Dallas Museum of Art although a further copy is in Smith’s College, Massachusetts.
Benjamin West was once court painter of historical subjects to King George III.  He was a founder member of the Royal Academy
and became its President in 1792. 
 
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A plan of Birmingham surveyed by Thomas Hanson in 1778 on display in St Paul's Church.
 
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The Millennium Window in St Paul's Church.
 

This Millennium Window was sponsored by the Birmingham Assay Office.  The design was selected from a competition, the Stevens Competition, run by the Worshipful Company of Glaziers and Glass Painters for young artists.  The theme for the window was:

- the celebration of the manufacture of jewellery; 

- the contribution of the Assay Office in maintaining standards; 

- the role of Matthew Boulton as an innovative industrialist, a leading citizen of the town and Founder of the Assay Office and the Lunar Society; 

- all within the scriptural theme of Job 28!

The Assay Office and the Church together chose “the Angel’s Crucible” by Rachel Thomas.

The angels are carefully pouring white hot metal from the crucible into the streets of the Jewellery Quarter below.  The heat of the metal is reflected in the bodies of the angels.  The design of the haloes is based on a detail on a silver basket, dated 1778, manufactured by Boulton and Fothergill.  The patterns and trim on the clothing of the angels are based on the details of other items by Boulton.

In the crucible are the hallmarks for gold – the crown, for silver – the lion, and for platinum – the orb, together with for Birmingham – the anchor and the special Assay Office mark for the millennium, the distributed 2000.

At the top, stars shine in the night sky, which, with the moon, reminds us of the Lunar Society, where some of the most distinguished men in the latter part of the 18th century met to discuss the developments and issues of the day.

From Job 28, Rachel selected verse 28 for the words round the rim: “Behold the fear of the Lord, that is wisdom; and to depart from evil is understanding.”

Rachel saw the pouring of the molten metal as a metaphor that reflects the area’s rich industrial history and diversity of skills, and as a cultural melting pot where ideas became reality.  She also saw the crucible as a positive image, as though a portal towards a bright future and a new Millennium.

(Text taken from a display card next to the window.)

 

 

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Birmingham Town Hall, a Grade I listed concert hall and venue for popular assemblies, is famous for its concert pipe organ.
Built in brick from 1832-1834 and faced with Penmon Anglesey Marble, the hall is modelled on the Temple of Castor and Pollux in Rome. 
Some limestone was used in its construction and fossils of plants and animals are visible. 
 
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Birmingham Museum and Art Gallery opposite the Town Hall – the clock tower is known locally as 'Big Brum'.
The Art Gallery is most noted for its extensive collections of paintings ranging from the 14th to the 21st century,
including works by the Pre-Raphaelite Brotherhood and the largest collection of works by Edward Burne-Jones in the world. 
 
 

 

Meetings Programme 2014-2015

 

Synopses of Talks

 

Alan Butler

1st April 2014

The streets of Huntingdon.

This talk will cover the more interesting streets with their history in the old part of the town and the impact that the ring road has had on local travel.

Pat Doddy

6th May 2014

 

 

That sinking feeling – Huntingdon on sea.

Since the last Ice Age, the sea has been invading and retreating across Fenland. Over the last millennium, we have sought to reverse the general landward trend. This talk will look at the factors influencing the direction of movement of the sea, both natural and manmade. In particular, it will consider our response to the current rise in sea level as it affects our area.

David Broughton

3rd June 2014

Signs of the times.

An irreverent look at road signs and place names in UK and elsewhere.

Andrew Hunter-Blair

1st July 2014

 

London Guilds.

The Guilds of the City of London. It will cover their history and development from the Anglo Saxon times to the present day, their relationship with the City of London, what they now do, what impact they have on life and how to become a Liveryman and Freeman.

Gilly Vose

5th August 2014

The way we used to shop locally – a brief history of shops and shopping.

The talk will cover the changes in retailing during the recent past with emphasis on local towns.

Peter Ibbett

2nd September 2014

 

 

The Bury to Stratton Turnpike, or when the B1040 was a toll road.

A 1754 map of the Bury (near Ramsey) to Stratton (near Biggleswade) Turnpike road and Account Books together with contemporary drawings and reports give a picture of a toll road which once passed through St Ives. Does history reveal insights into the wisdom of the proposed A14 toll road?! '

Peter Bradford

7th October 2014

 

 

Blue Bird Care.

Bluebird Care has branches across UK and Ireland, and each is operated as a franchise, owned and run by local people. I’ve been running the Huntingdonshire branch for 2 years now and really enjoy the reward of providing high quality care to vulnerable adults who need help and companionship in their homes.

John Wright

4th November 2014

 

The Apollo Project.

The talk follows a chronological flow, running from the German influence on the US space programme, a look at Mercury and Gemini flights before moving on to the development of Apollo, culminating in the first lunar landing.

Bridget Flanagan

2nd December 2014

 

 

The golden age of the River Ouse.

The talk will describe and illustrate the late Victorian and Edwardian eras when the ending of commercial river traffic above St Ives freed the river for popular enjoyment. This was done in great style as boating and river pastimes were the height of fashion. Artists and tourists came especially to St Ives and the riverside villages to enjoy the charms of these 'olde-world' beauty spots.

Derek Shelton-Smith

6th January 2015

 

A life in aviation history.

Personal Life Development – Flight Engineer – Fast Jet Pilot – Tactical Transport Captain – Aviation Industry Manager for creation of advanced products.

 

 

Becky Proctor

3rd February 2015

 

 

 

A Century of Care at Papworth

My talk will have an emphasis on the origins and development of Papworth Village Settlement and treatment of TB, but with also a brief overview of the history of the hospital since 1948 and the future move to the Cambridge Biomedical Campus.

 

 

A Medway Mosaic

 

16th October 2012

 

On another glorious autumn day, Probus members and guests headed for the historic Kentish town of Rochester, much loved by Charles Dickens, taking in the Hoo Peninsula between the rivers Medway and Thames and stopping off at the 'Great Expectations' Church at Cooling on the way.  After lunch at the Sir John Falstaff inn, Higham, close to Dickens' House 'Gads Hill Place', we explored the Victorian High Street of Rochester, including the 'Six Poor Travellers House' and Charles II's 'Restoration House', ending up at Rochester Cathedral opposite the Castle where we found a welcoming tea room before heading for home.

 

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St James Church, Cooling, no longer used for regular worship, but cared for by The Churches Conservation Trust.

 

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Our guide, Carol, from City & Village Tours, describes the history of Cooling Church where Dickens set one of the world's most famous literary scenes - the meeting between Pip and the convict at the start of Great Expectations.

 

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The Royal Arms of Queen Anne (1702-1714) painted by Gerald Fleuss.

 This canvas was commissioned by The Churches Conservation Trust in 2004 to replace a Royal Arms of that period stolen from the church in the 1990s.  The frame is the original.

 

The cockle shell vestry.  This tiny room was decorated in unusual form in 1833 by two churchwardens, John Murton and John Comport.

 

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Pip's Graves in Cooling Churchyard.  

These are the memorials that Charles Dickens described in the opening scene of 'Great Expectations'.  They belong to two local families and mark the resting places of 13 children who died between 1767 and 1854.

 

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Pip's Graves in Cooling Churchyard.

 

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Details of Pip's Graves displayed in the Church

 

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The Sir John Falstaff Public House at Higham.  

The name commemorates the incident in Shakespeare's Henry IV when Falstaff, the young Prince Hal and their roguish companions planned to hold up a group of travellers on Gads Hill. 

 

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Gads Hill Place, Higham, once the house of Charles Dickens. 

He bought the house in 1856 for £1,700.  It was built by Thomas Stevens, former Mayor of Rochester, in 1780.  
Now a private school, it is an imposing red brick Georgian building, set amongst trees, with a delicate white painted cupola (dome) on the roof.  
While living at Gads Hill Place, Charles Dickens wrote  'The Uncommercial Traveller',  'Great Expectations',  'Our Mutual Friend' and
 'The Mystery of Edwin Drood'. 

 

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The 'Six Poor Travellers House' on Rochester High Street.  

The charity was founded in 1579 by Richard Watts for six poor travellers to receive free lodging for one night and four pence each.

 

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Inscription on one of the stones in the wall of the 'Six Poor Travellers House'.

 

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View along the old Victorian High Street in Rochester.

 

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Restoration House in Rochester, built in the late 16th century and a fine example of an Elizabethan mansion.

It is so named after the overnight visit of King Charles II on the eve of his restoration to the throne on 29th May 1660. 
 
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A closer view of the entrance to Restoration House.

It is also the Satis House of Dickens' 'Great Expectations', the home of Miss Havisham.

 

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Our guide, Carol (back to camera) answering questions before going to the Cathedral.

 

Heading towards the Cathedral.

 

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Rochester Castle, strategically placed on the road to London and guarding an important crossing of the River Medway. 

The Norman tower-keep built of Kentish ragstone was constructed about 1127 by William of Corbeil, Archbishop of Canterbury, with the encouragement of Henry I.  Consisting of three floors above a basement, it still stands 113 feet high.

 

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Our group arriving at Rochester Cathedral, England's second oldest cathedral, founded in 604AD by Bishop Justus. 

The present building dates back to the work of the French monk, Gundulf, in 1080.  Notable for the Norman architecture of the nave and parts of the crypt, it also has one of the finest Romanesque facades in England and some good examples of later Gothic styles.

 

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The Catalpa Tree opposite the cathedral, otherwise known as the American Indian Bean Tree, is over100 years old and protected by the City of Rochester Society.

 
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 Protective railings around the Catalpa Tree, funded by Rochester upon Medway Council and the City of Rochester Society.

 

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The Deanery Gate, also known as Sextry Gate or Sacristy Gate, was built between 1345 and 1377 and used to keep the Priory grounds private from pilgrims visiting the Cathedral.

 

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A view of the nave and organ in Rochester Cathedral.

 

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PROBUS CLUB OF HUNTINGDON AND ST IVES

 

 

 

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